“I know the first time I heard there was trouble in the Middle East, I thought they was talking about Pittsburgh”
Gil Scott-Heron (1949-2011), ¡Presente! ¡Viva Hip Hop! ¡Stand against apartheid!
Gil Scott-Heron (1949-2011), a grandfather of hip hop, spoke the above line as part “Let Me See Your I.D.,” a contribution by some of the masters of the artistic movement and their allies in rock, jazz, salsa, Afrobeat, and the South African a cappella tradition, to Sun City, the 1985 collaboration of Artists United Against Apartheid (AUAA). Inspired by Peter Gabriel’s haunting tribute to South African martyr Steve Biko (1946-1977), the album and its title track featuring 54+ artists, managed to barely crack the pop charts while being heavily kept out of rotation by corporate radio.
In this year, we have witnessed both a commemoration of 50(+) years of hip hop and a realization that a luta continua (the struggle continues) against apartheid.
It was banned at the time in South Africa, for violation of a law that prohibited music that would “upset white people.” A luta continua.
Apartheid is something we call it, because we don’t want to call it slavery. But it’s slavery. We should call it what it is .Slavery is slavery.” - Duke Bootee (from The Making of “Sun City”)
Released as a 12-inch single under the name Rap Against Apartheid, “Let Me See Your I.D.” united Gil and fellow rappers and musicians who vividly drew the links between apartheid in both South Africa and the United States. The title is a reference to the white minority regime’s notorious Black-only “pass book” system. As Gil pointedly points out, it was not and, to this day, never was unique to South Africa. A luta continua.
In fact, read the verses below and imagine what you have to change to make them more contemporary. Very possibly, maybe not much.
A luta continua.
Below are selections from the lyrics/ poetry with their vocalists noted in order of appearance.
Musicians featured include:
Miles Davis (trumpet)
Ray Barretto (congas)
Doug Wimbish (bass guitar)
DJ Cheese (scratching)
Jam Master Jay (scratching)
Sonny Okosun (talking drum)
BLT [BJ Nelson, Lottie Golden, & Tina B] (background vocals)
And now, some words from a masterpiece of hip hop and resistance music:
Grandmaster Melle Mel
Everybody uses black and white
To try to draw the line between wrong and right
But if you use your eyes to really see
You know we don’t see realistically
…
To put a color on a skin
To me it’s a sin
That’s why apartheid must never win
We must put an end to this, my friend
And it should it never be allowed to happen again
…
Gil Scott-Heron
I was just watching the TV the other night
And who should appear but, you know,
Walter Concrete with the Blues
And it occurred to me how much of our vocabulary we seem to get from TV nowadays
Calling things whatever they call 'em, even if it’s collect
The first thing that occurred to me was like “Third World” you know like,
if you ask someone from here like, where is the *Third World*
They might say “Oh yeah, man, I know, I know, it's a disco.
You go about three blocks then take a left”
Or they might tell you the “Third World” is a new health food restaurant
I know the first time I heard there was trouble in the Middle East
I thought they was talking about Pittsburgh
The I.D.3 (Gil Scott-Heron, Robert Gordon, & Steve Walker)
Let me see your I.D.
Let me see your I.D.
…
Duke Bootee
It’s the death
Some call it genocide
For that it is
Called apartheid
South Africa, starvation right here
Politicians and leaders living in fear
South Africa, from coast to coast
Colored people got the least,
white people got the most
Gil Scott-Heron
The word “casualties” comes up a lot
In South Africa
They seem to make it feel like there’s a battle against - between “isms” going on
Between one good “ism” and one bad “ism”
But what they’re talking about is nightly
South Africans died, “casualties”
There were eight more “casualties” in South Africa
Nothing “casual” about dying
Nothing “casual” about standing for freedom
My grandmother used to say
“If you don’t stand for something, you’ll go for anything”
We stand against apartheid
Stand against apartheid
The I.D. 3
Let me see your I.D
Let me see your I.D
…
Gil Scott-Heron
I had never met anyone from Southern Africa ’til I started going to school
I was going to Lincoln University down in Pennsylvania
There were South African refugee students there who
Many of them were athletes who started to compare experiences
And they were telling me that when you walk around in South Africa
You gotta carry this little black book with you
Tells everybody whether you’re supposed to be in a given area or not
Damn, that’s about like my life
‘cause I got to do that when I go to Philly
The I.D.3
Let me see your I.D
Sonny Okosun
..
We all say
Free Mandela today
Kurtis Blow
There will be a time
When apartheid’s a crime
And the color factor won’t bother the mind
When majority rules against the fools
And all those who oppose will become uncool
I’m talkin’ ‘bout a place they call SUN CITY
Las Vegas in the desert
In a town without pity
South Africa
Yes, the motherland
There are no human rights for the Africans
‘Cause Sun City’s bright lights
Mow down their rights
And ain’t nothing else to do but stand up and fight
If I ruled the world and was king on the throne
I’d stop this mess in my street home
Gil Scott Heron
Just need to think about it
I ain’t going to Sun City
If-if somehow by the South African government
Sun City is described as though it’s somewhere else
Not connected to South Africa or apartheid
Like somebody in Manhattan trying to describe the Bronx to you as another country
As though it is no longer connected to New York
The I.D.3
Let me see your I.D
Big Youth
That it’s all in your conscious
It’s all in your minds
Let’s all lend a hand
To fight against apartheid
South Africa must be free
Equality and justice
The peoples’ liberty
So for no money
I will never play Sun City
Gil Scott-Heron
Other than that
I was watching TV again
And I seen this baller that’d been a representative of the American people over there in South Africa
Over there taking a ball for somebody
Somebody in here said,
“Hey what about the separation between church and state?”
I said, “Especially ‘this’ church and ‘that’ state”
We stand against apartheid
Stand against apartheid
The I.D. 3
Let me see your I.D
Let me see your I.D
Peter Garrett
Yeah!
Politicians take a stand
By shaking your hand
And then they hold you back
As much as they can
They try to keep you weak
From gettin’ strong
Because they know they then gonna
Change what’s wrong
…
The Fat Boys
We’re the Three Fat Boys
And we’re here to say
We’re gonna stop apartheid
In our own way
[beatboxing by Darren “Human Beat Box” Robinson)
…
Malopoets
Amandla ngawethu …
Ray Barretto
Libertad o muerte
I still remember boycotting the purchase of oranges in the eighties as a protest against this brutal regime. A small action, but when many do the same others may pay attention We need to be constantly vigilant against all forms of oppression. Thanks for this article.
Thank you for this very moving article, Angel. It is so important to keep alive these memories and ideals, which are just as needed today. What a giant GSH was. His poetry was as vital and important as it was skilful. I think "Biko" by PG is also one of the most important and brilliant songs ever written. Makes me cry every time I hear it. We should all cry every time we hear it. "A luta continua" indeed.